The article contains an analysis
of the iconostasis of the Assumption of Mary Church located in the vil.
Nakonechne (Yavoriv district, Lviv region), which represents the most fully
preserved iconostasis ensemble of the XVI century. For the first time, its
reconstruction was completed taking into account all saved icons. The article
deals with stylistic, iconographic and artistic features of this ensemble, as
well as its connection with other iconostases of that time. More precisely,
the dating of the monument is argued. In the article, the author suggests to
consider an ensemble from Nakonechne as a phenomenon in the history of
Ukrainian icon painting, which reflected the most characteristic tendencies
that took place in the painting of the second half of the XVI century. The
author traces his influence on the iconography of the end of the XVI – the
beginning of the XVII century.
1. Helytovych M. (2004). Ikony kintsia KhVI stolittia z Troitskoi tserkvy u seli
Potelychi. [Icons of the late sixteenth century from the Trinity Church in the village of Potelichi]. Zapysky NTSh Pratsi Komisii obrazotvorchoho ta uzhytkovoho mystetstva – Notes by NTSH. Proceedings of the Fine and Applied Arts Commission. Lviv, CCXLVIII, 318–348. [in Ukrainian].
2. Helytovych M. (1998). Ikony XVI stolittia z tserkvy Sviatoho Dukha u Potelychi (materialy do katalohu zbirky Natsionalnoho muzeiu u Lvovi. Zapysky NTSh Pratsi komisii obrazotvorchoho ta uzhytkovoho mystetstva – Notes by NTSH. Proceedings of the Fine and Applied Arts Commission. Lviv, 236, 320–368. [in Ukrainian].
3. Helytovych M. (1998). Molinnia z Uspenskoi tserkvy u Nakonechnomu na tli evoliutsii chynu molinnia zakhidnoukrainskykh ikonostasiv druhoi polovyny XVI st. [Prayer from the Assumption Church in Ultimate on the background of the evolution of the worship of Western Ukrainian iconostases of the second half of the XVI century]. Volynska ikona:
pytannia istorii vyvchennia, doslidzhennia ta restavratsii. Materialy V nauk. konf. – Volyn Icon: Issues of History of Study, Research and Restoration. Proceedings of the 5th Scientific Conference, Lutsk (72–78). [in Ukrainian].
4. Helytovych M. (2008). Sviatyi Mykolai z zhytiiem. Ikony. XV – XVIII st. Natsionalnoho muzeiu u Lvovi imeni Andreia Sheptytskoho [St. Nicholas with life. Icons. XV – XVIII centuries. Andrey Sheptytskyi National Museum in Lviv]. Lviv: Svichado. [in Ukrainian].
5. Helytovych M. (2014). Ukrainski ikony XIII – pochatku XVI stolit zi zbirky Natsionalnoho muzeiu u Lvovi imeni Andreia Sheptytskoho: albom-kataloh [Ukrainian icons of the 13th - early 16th centuries from the collection of Andrey Sheptytskyi National Museum in Lviv: album catalog]. Lviv : Natsionalnyi muzei u Lvovi imeni Andreia Sheptytskoho; Kyiv: Maister knyh. [in Ukrainian].
6. Miliaieva L. za uchastiu Helytovych M. (2007). Ukrainska ikona XI – XVIII st [Ukrainian icon of the XI - XVIII centuries]. Kyiv.
7. Patriarkh Dymytrii (Iarema). (2017). Ikonopys Zakhidnoi Ukrainy XVI – poch. XVII st [Iconography of Western Ukraine XVI – beginning XVII centuries]. Lviv : Drukarski kunshty. [in Ukrainian].
8. Sventsytskaia V.Y. (1971). Kto zhe avtor ansamblia? (Ob ikonakh XVI v. yz s. Nakonэchn Lvovskoi obl.) [Who is the author of the ensemble? (On the icons of the 16th century from the village of Nakonechne, Lviv region)]. Tvorchestvo – Creation. Moskva, 12, 20–22. [in Ukrainian].
9. Svientsitskyi I. (1929). Ikony Halytskoi Ukrainy XV – XVI vikiv [Icons of Galicia Ukraine, XV – XVI centuries]. Lviv: Vydannia Natsionalnoho muzeiu u Lvovi,. XVIII st, 141 tabl. [in Ukrainian].
10. Svientsitskyi I. (1928). Ikonopys Halytskoi Ukrainy XV-XVI vikiv [Iconography of Galicia Ukraine XV – XVI centuries]. Lviv: Vydannia Natsionalnoho muzeiu u Lvovi. [in Ukrainian].
11. Skop-Druziuk H., Skop P. (2009). Ikonostas XVI – XVIII stolittia iz sela Staroi Skvariavy [Iconostasis of the XVI - XVIII centuries from the village of Stara Skvaryava]. Lviv : Lohos. [in Ukrainian].
12. Skop L. (2004). Maister ikony Bohorodytsia-Odyhitriia z Mrazhnytsi [Master of the Icon of the Virgin Mary (Odigitria) from the Mrazhnytsia Church]. Lviv: Lohos. [in Ukrainian].
13. Skop L. (2011). Maister miniatiur Peresopnytskoho Yevanheliia – Fedusko, maliar z Sambora [Master of Miniatures of Peresopnytsia Yevanheliia – Fedusco, painter from Sambir]. Drohobych: Kolo. [in Ukrainian].
14. Slobodian V. (1998). Tserkvy Ukrainy. Peremyska yeparkhiia [Churches of Ukraine. Diocese of Peremyshl]. Lviv: Misioner. [in Ukrainian].
15. Svientsitska, V. & Otkovych, V. (1991). Ukrainske narodne maliarstvo XIII – XX stolit: svit ochyma narodnykh myttsiv: albom [Ukrainian folk painting of the XIII – XX centuries: the world through the eyes of folk artists: album]. Kyiv: Mystetstvo. [in Ukrainian].
16. Yurkevych, Yu. (2012). Tsarski vrata ukrainskykh ikonostasiv. Albom. Seriia «Ukrainske narodne mystetstvo» [The royal gates of Ukrainian iconostases. Album. Ukrainian Folk Art Series]. Lviv: Instytut kolektsionerstva ukrainskykh mystetskykh pamiatok pry NTSh. [in
Ukrainian].